Sunday, November 02, 2008
Where the Forest Murmurs
WALKING CLASSICS
by Fiona Macleod
It is when the trees are leafless, or when the last withered leaves rustle in the wintry air, creeping along the bare boughs like tremulous mice, or fluttering from the branches like the tired and starving swallows left behind in the ebbing tides of migration, that the secret of the forest is most likely to be surprised. Mystery is always there. Silence and whispers, still glooms, sudden radiances, the passage of wind and idle airs, all these inhabit the forest at every season.
But it is not in their amplitude that great woodlands reveal their secret life. In the first vernal weeks the wave of green creates a mist or shimmering veil of delicate beauty, through which the missel-thrush calls, and the loud screech of the jay is heard like a savage trumpet-cry. The woods then are full of a virginal beauty. There is intoxication in the light air. The cold azure among the beech-spaces or where the tall elms sway in the east wind is, like the sea, exquisitely desirable, exquisitely unfamiliar, inhuman, of another world.
Then follow the days when the violets creep through the mosses at the base of great oaks, when the dust of snow-bloom on the blackthorn gives way to the trailing dog-rose, when myriads of bees among the chestnut-blossoms fill the air with a continuous drowsy unrest, when the cushat calls from the heart of the fir, when beyond the green billowy roof of elm and hornbeam, of oak and beech, of sycamore and lime and tardy ash, the mysterious bells of the South fall through leagues of warm air, as the unseen cuckoo sails on the long tides of the wind. Then, in truth, is there magic in the woods.
The forest is alive in its divine youth. Every bough is a vast plume of joy: on every branch a sunray falls, or a thrush sways in song, or the gauzy ephemeridae dance in rising and falling aerial cones. The wind moves with the feet of a fawn, with the wings of a dove, with the passing breath of the white owl at dusk. There is not a spot where is neither fragrance nor beauty nor life. From the tiniest arch of grass and twig the shrew-mouse will peep: above the shallowest rainpool the dragonfly will hang in miraculous suspense, like one of the faery javelins of Midir which in a moment could be withheld in mid-flight. The squirrel swings from branch to branch: the leveret shakes the dew from the shadowed grass: the rabbits flitter to and fro like brown beams of life: the robin, the chaffinch, the ousel, call though the warm green-glooms: on the bramble-spray and from the fern-garth the yellowhammer reiterates his gladsome song: in the cloudless blue fields of the sky the swifts weave a maze of shadow, the rooks rise and fall in giddy ascents and descents like black galleys surmounting measureless waves and sinking into incalculable gulfs.
Then the forest wearies of this interminable exuberance, this daily and nightly charm of exultant life. It desires another spell, the enchantment of silence, of dreams. One day the songs cease: the nests are cold. In the lush meadows the hare sleeps, the corncrake calls. By the brook the cattle stand, motionless, or with long tails rhythmically a-swing and ears a-twitch above the moist amber-violet dreamless eyes. The columnar trees are like phantom- smoke of secret invisible fires. In the green-glooms of the forest a sigh is heard. A troubled and furtive moan is audible in waste indiscoverable places. The thunder-time is come. Now in the woods may be seen and heard and felt that secret presence which in the spring months hid behind songs and blossoms, and later clothed itself in dense veils of green and all the magic of June.
Something is now evident, that was not evident: somewhat is entered into the forest. The leaves know it: the bracken knows it: the secret is in every copse, in every thicket, is palpable in every glade, is abroad in every shadow-thridden avenue, is common to the spreading bough and the leaning branch. It is not a rumor; for that might be the wind stealthily lifting his long wings from glade to glade. It is not a whisper; for that might be the secret passage of unquiet airs, furtive heralds of the unloosening thunder. It is not a sigh; for that might be the breath of branch and bough, of fern-frond and grass, obvious in the great suspense. It is an enffable communication. It comes along the ways of silence; along the ways of sound: its light feet are on sun- rays and on shadows. Like dew, one knows not whether it is mysteriously gathered from below or secretly come from on high: simply it is there, above, around, beneath.
But the hush is dispelled at last. The long lances of the rain come slanting through the branches; they break, as against invisible barriers, and fall in a myriad pattering rush. The hoarse mutterings and sudden crashing roar of the thunder possess the whole forest. There are no more privacies, the secrecies are violated. From that moment the woods are renewed, and with the renewal the secret spirit that dwells within them withdraws, is not to be surprised, is inaudible, indefinitely recedes, is become remote, obscure, ineffable, incommunicable. And so, through veils of silence, and hot noons and husht warm midnights, the long weeks of July and August go by.
In the woods of September surely the forest-soul may be surprised, will be the thought of many. In that month the sweet incessant business of bird and beast lessens or is at an end. The woodpecker may still tap at the boles of gnarled oaks and chestnuts; the squirrel is more than ever mischievously gay; on frosty mornings, when the gossamer webs are woven across every bramble, and from frond to frond of the bronze-stained bracken, the redbreast tries and retries the poignant new song he has somehow learned since first he flaunted his bright canticles of March and April from the meadow-hedge or the sunned greenness of the beech-covert. But there is a general silence, a present suspense, while the lime yellows, and the birch takes on her pale gold, and oak and sycamore and ash slowly transmute their green multitudes into a new throng clad in russet or dull red or sunset-orange.
The forest is full of loveliness: in her dusky ways faint azure mists gather. When the fawn leaps through the fern it is no longer soundlessly: there is a thin dry rustle, as of a dove brushing swiftly from its fastness in an ancient yew. One may pass from covert to covert, from glade to glade, and find the Secret just about to be revealed . . . somewhere beyond the group of birches, beside that oak it may be, just behind that isolated thorn. But it is never quite overtaken. It is as evasive as moonlight in the hollows of waves. When present, it is already gone. When approached, it has the unhasting but irretrievable withdrawal of the shadow.
In October this bewildering evasion is still more obvious, because the continual disclosure is more near and intimate. When, after autumns of rain and wind, or the sudden stealthy advent of nocturnal frosts, a multitude of leaves becomes sere and wan, and then the leaves strew every billow of wind like clots of driven foam or fall in still wavering flight like flakes of windless snow, then, it is surely then that the great surprise is imminent, that the secret and furtive whisper will become a voice. And yet there is something withheld.
In November itself there are days, weeks even, when a rich autumn survives. The oaks and ashes will often keep their red and orange till after St. Luke's Peace; in sheltered parts of the forest even the plane, the sycamore, and the chestnut will flaunt their thin leopard-spotted yellow bannerets. I remember coming upon a Spanish chestnut in the center of a group of all but leafless hornbeams. There seemed to be not a leaf missing from that splendid congregation of scarlet and amber and luminous saffron. A few yards on and even the hardy beeches and oaks were denuded of all but a scattered and defeated company of brown or withered stragglers.
Why should that single tree have kept its early October loveliness unchanged through those weeks of rain and wind and frosts of midnight and dawn? There was not one of its immediate company but was in desolate ruin, showing the bare nests high among the stark boughs.
Through the whole forest the great unloosening had gone. Even the oaks in hollow places which had kept greenness like a continual wave suspended among dull masses of seaweed, had begun to yield to the vanishing call of the last voices of summer. Day by day their scattered tribes, then whole clans, broke up the tents of home and departed on the long mysterious exile. Yet this sentinel at the Gate of the North stood undaunted, splendid in warrior array. The same instinct that impels the soul from its outward home into the incalculable void moves the leaf with the imperious desire of the gray wind. But as, in human life, there are some who retain a splendid youth far into the failing regions of gray hair and broken years, so in the forest life there are trees which seem able to defy wind and rain and the consuming feet of frost.
The most subtle charm of the woods in November is in those blue spaces which lie at so brief a distance in every avenue of meeting boughs, under every enclosing branch. This azure mist which gathers like still faint smoke has the spell of silent waters, of moonlight, of the pale rose of serene dawns. It- has a light that is its own, as unique as that unnamable flame which burns in the core of the rainbow. The earth breathes it; it is the breath of the fallen leaves, the moss, the tangled fern, the undergrowth, the trees; it is the breath also of the windless blue-blue sky that leans so low. Surely, also, it is the breath of that other- world of which our songs and legends are so full. It has that mysteriousness, that spell, with which in imagination we endow the noon silences, the eves and dawns of faery twilights.
Still, the silence and the witchery of the forest solitudes in November are of the spell of autumn. The last enchantment of mid-winter is not yet come. It is in "the dead months" that the forest permits the last disguises to fall away. The forest-soul is no longer an incommunicable mystery. It is abroad. It is a communicable dream. In that magnificent nakedness it knows its safety. For the first time it stands like a soul that has mastered all material things and is fearless in face of the immaterial things which are the only life of the spirit.
In these "dead months" of December and January the forest lives its own life. It is not asleep as the poets feign. Sleep has entered into the forest, has made the deep silence its habitation: but the forest itself is awake, mysterious, omnipresent, a creature seen at last in its naked majesty.
One says lightly, there is no green thing left. That, of course, is a mere phrase of relativity. There is always green fern somewhere, even in the garths of tangled yellow- brown bracken. There is always moss somewhere, hidden among the great serpentine roots of the beeches. The ilex will keep its dusty green through the harvest winter: the yew, the cypress, the holly, has no need of the continual invasion of the winds and rains and snows. On the ash and elm the wood-ivy will hang her spiked leaves. On many of the oaks the lovely dull green of the mistletoe will droop in graceful clusters, the cream-white berries glistening like innumerable pleiads of pearls. But these are lost in the sigh; for that might be the breath of branch and bough, of fern-frond and grass, obvious in the great suspense. It is an effable communication. It comes along the ways of silence; along the ways of sound: its light feet are on sun- rays and on shadows. Like dew, one knows not whether it is mysteriously gathered from below or secretly come from on high: simply it is there, above, around, beneath.
But the hush is dispelled at last. The long lances of the rain come slanting through the branches; they break, as against invisible barriers, and fall in a myriad pattering rush. The hoarse mutterings and sudden crashing roar of the thunder possess the whole forest. There are no, more privacies, the secrecies are violated. From that moment the woods are renewed, and with the renewal the secret spirit that dwells within them withdraws, is not to be surprised, is inaudible, indefinitely recedes, is become remote, obscure, ineffable, incommunicable. And so, through veils of silence, and hot noons and husht warm midnights, the long weeks of July and August go by.
In the woods of September surely the forest-soul may be surprised, will be the thought of many. In that month the sweet incessant business of bird and beast lessens or is at an end. The woodpecker may still tap at the boles of gnarled oaks and chestnuts; the squirrel is more than ever mischievously gay; on frosty mornings, when the gossamer webs are woven across every bramble, and from frond to frond of the bronze-stained bracken, the redbreast tries and retries the poignant new song he has somehow learned since first he flaunted his bright canticles of March and April from the meadow-hedge or the sunned greenness of the beech-covert. But there is a general silence, a present suspense, while the lime yellows, and the birch takes on her pale gold, and oak and sycamore and ash slowly transmute their green multitudes into a new throng clad in russet or dull red or sunset-orange.
The forest is full of loveliness: in her dusky ways faint azure mists gather. When the fawn leaps through the fern it is no longer soundlessly: there is a thin dry rustle, as of a dove brushing swiftly from its fastness in an ancient yew. One may pass from, covert to covert, from glade to glade, and find the Secret just about to be revealed . . . somewhere beyond the group of birches, beside that oak it may be, just behind that isolated thorn. But it is never quite overtaken. It is as evasive as moonlight in the hollows of waves. When present, it is already gone. When approached, it has the unhasting but irretrievable withdrawal of the shadow.
In October this bewildering evasion is still more obvious, because the continual disclosure is more near and intimate. When, after autumns of rain and wind, or the sudden stealthy advent of nocturnal frosts, a multitude of leaves becomes sere and wan, and then the leaves strew every billow of wind like clots of driven foam or fall in still wavering flight like flakes of windless snow, then, it is surely then that the great surprise is imminent, that the secret and furtive whisper will become a voice. And yet there is something withheld. In November itself there are days, weeks even, when a rich autumn survives. The oaks and ashes will often keep their red and orange till after St. Luke's Peace; in sheltered parts of the forest even the plane, the sycamore, and the chestnut will flaunt their thin leopard-spotted yellow bannerets. I remember coming upon a Spanish chestnut in the center of a group of all but leafless hornbeams. There seemed to be not a leaf missing from that splendid congregation of scarlet and amber and luminous saffron.
A few yards on and even the hardy beeches and oaks were denuded of all but a scattered and defeated company of brown or withered stragglers. Why should that single tree have kept its early October loveliness unchanged through those weeks of rain and wind and frosts of midnight and dawn? There was not one of its immediate company but was in desolate ruin, showing the bare nests high among the stark boughs. Through the whole forest the great unloosening had gone. Even the oaks in hollow places which had kept greenness like a continual wave suspended among dull masses of seaweed, had begun to yield to the vanishing call of the last voices of summer. Day by day their scattered tribes, then whole clans, broke up the tents of home and departed on the long mysterious exile. Yet this sentinel at the Gate of the North stood undaunted, splendid in warrior array. The same instinct that impels the soul from its outward home into the incalculable void moves the leaf with the imperious desire of the gray wind. But as, in human life, there are some who retain a splendid youth far into the failing regions of gray hair and broken years, so in the forest life there are trees which seem able to defy wind and rain and the consuming feet of frost.
The most subtle charm of the woods in November is in those blue spaces that lie at so brief a distance in every avenue of meeting boughs, under every enclosing branch. This azure mist, which gathers like still faint smoke, has the spell of silent waters, of moonlight, of the pale rose of serene dawns. It has a light that is its own, as unique as that unnamable flame which burns in the core of the rainbow. The earth breathes it; it is the breath of the fallen leaves, the moss, the tangled fern, the undergrowth, the trees; it is the breath also of the windless gray-blue sky that leans so low. Surely, also, it is the breath of that other- world of which our songs and legends are so full. It has that mysteriousness, that spell, with which in imagination we endow the noon silences, the eves and dawns of faery twilights.
Still, the silence and the witchery of the forest solitudes in November are of the spell of autumn. The last enchantment of mid-winter is not yet come. It is in "the dead months" that the forest permits the last disguises to fall away. The forest-soul is no longer an incommunicable mystery. It is abroad. It is a communicable dream. In that magnificent nakedness it knows its safety. For the first time it stands like a soul that has mastered all material things and is fearless in face of the immaterial things which are the only life of the spirit.
In these "dead months" of December and January the forest lives its own life. It is not asleep as the poets feign. Sleep has entered into the forest, has made the deep silence its habitation: but the forest itself is awake, mysterious, omnipresent, a creature seen at last in its naked majesty.
One says lightly, there is no green thing left. That, of course, is a mere phrase of relativity. There is always green fern somewhere, even in the garths of tangled yellow- brown bracken. There is always moss somewhere, hidden among the great serpentine roots of the beeches. The ilex will keep its dusty green through the harvest winter: the yews, the cypress, the holly, have no need of the continual invasion of the winds and rains and snows. On the ash and elm the wood-ivy will hang her spiked leaves. On many of the oaks the lovely dull green of the mistletoe will droop in graceful clusters, the cream-white berries glistening like innumerable pleiads of pearls. But these are lost in the immense uniformity of desolation. They are accidents, interludes. The wilderness knows them, as the gray wastes of tempestuous seas know a wave here and there that lifts a huge rampart of jade crowned with snow, or the long resiliency of gigantic billows which reveal smooth falling precipices of azure. The waste itself is one vast desolation, the more gray and terrible because in the mass invariable.
To go through those winter-aisles of the forest is to know an elation foreign to the melancholy of November or to the first fall of the leaf. It is not the elation of certain days in February, when the storm-cock tosses his song among the wild reefs of naked bough and branch. It is not the elation of March, when a blueness haunts the myriad unburst buds, and the throstle builds her nest and calls to the South. It is not the elation of April, when the virginal green is like exquisite music of life in miraculous suspense, nor the elation of May, when the wild rose moves in soft flame upon the thickets and the returned magic of the cuckoo is an intoxication, nor the elation of June, when the merle above the honeysuckle and the cushat in the greenglooms fill the hot noons with joy, and when the long fragrant twilights are thrilled with the passion of the nightjar. It has not this rapture nor that delight; but its elation is an ecstasy that is its own.
It is then that one understands as one has never understood. It is then that one loves the mystery one has but fugitively divined. Where the forest murmurs there is music: ancient, everlasting. Go to the winter woods: listen there, look, watch, and "the dead months" will give you a subtler secret than any you have yet found in the forest. Then there is always one possible superb fortune. You may see the woods in snow. There is nothing in the world more beautiful than the forest clothed to its very hollows in snow. That is a loveliness to which surely none can be insensitive. It is the still ecstasy of Nature, wherein every spray, every blade of grass, every spire of reed, every intricacy of twig, is clad with radiance, and myriad form is renewed in continual change as though in the passionate delight of the white Artificer. It is beauty so great and complex that the imagination is stilled into an aching hush. There is the same trouble in the soul as before the starry hosts of a winter night.
—from Where the Forest Murmurs (1906)
by Fiona Macleod
It is when the trees are leafless, or when the last withered leaves rustle in the wintry air, creeping along the bare boughs like tremulous mice, or fluttering from the branches like the tired and starving swallows left behind in the ebbing tides of migration, that the secret of the forest is most likely to be surprised. Mystery is always there. Silence and whispers, still glooms, sudden radiances, the passage of wind and idle airs, all these inhabit the forest at every season.
But it is not in their amplitude that great woodlands reveal their secret life. In the first vernal weeks the wave of green creates a mist or shimmering veil of delicate beauty, through which the missel-thrush calls, and the loud screech of the jay is heard like a savage trumpet-cry. The woods then are full of a virginal beauty. There is intoxication in the light air. The cold azure among the beech-spaces or where the tall elms sway in the east wind is, like the sea, exquisitely desirable, exquisitely unfamiliar, inhuman, of another world.
Then follow the days when the violets creep through the mosses at the base of great oaks, when the dust of snow-bloom on the blackthorn gives way to the trailing dog-rose, when myriads of bees among the chestnut-blossoms fill the air with a continuous drowsy unrest, when the cushat calls from the heart of the fir, when beyond the green billowy roof of elm and hornbeam, of oak and beech, of sycamore and lime and tardy ash, the mysterious bells of the South fall through leagues of warm air, as the unseen cuckoo sails on the long tides of the wind. Then, in truth, is there magic in the woods.
The forest is alive in its divine youth. Every bough is a vast plume of joy: on every branch a sunray falls, or a thrush sways in song, or the gauzy ephemeridae dance in rising and falling aerial cones. The wind moves with the feet of a fawn, with the wings of a dove, with the passing breath of the white owl at dusk. There is not a spot where is neither fragrance nor beauty nor life. From the tiniest arch of grass and twig the shrew-mouse will peep: above the shallowest rainpool the dragonfly will hang in miraculous suspense, like one of the faery javelins of Midir which in a moment could be withheld in mid-flight. The squirrel swings from branch to branch: the leveret shakes the dew from the shadowed grass: the rabbits flitter to and fro like brown beams of life: the robin, the chaffinch, the ousel, call though the warm green-glooms: on the bramble-spray and from the fern-garth the yellowhammer reiterates his gladsome song: in the cloudless blue fields of the sky the swifts weave a maze of shadow, the rooks rise and fall in giddy ascents and descents like black galleys surmounting measureless waves and sinking into incalculable gulfs.
Then the forest wearies of this interminable exuberance, this daily and nightly charm of exultant life. It desires another spell, the enchantment of silence, of dreams. One day the songs cease: the nests are cold. In the lush meadows the hare sleeps, the corncrake calls. By the brook the cattle stand, motionless, or with long tails rhythmically a-swing and ears a-twitch above the moist amber-violet dreamless eyes. The columnar trees are like phantom- smoke of secret invisible fires. In the green-glooms of the forest a sigh is heard. A troubled and furtive moan is audible in waste indiscoverable places. The thunder-time is come. Now in the woods may be seen and heard and felt that secret presence which in the spring months hid behind songs and blossoms, and later clothed itself in dense veils of green and all the magic of June.
Something is now evident, that was not evident: somewhat is entered into the forest. The leaves know it: the bracken knows it: the secret is in every copse, in every thicket, is palpable in every glade, is abroad in every shadow-thridden avenue, is common to the spreading bough and the leaning branch. It is not a rumor; for that might be the wind stealthily lifting his long wings from glade to glade. It is not a whisper; for that might be the secret passage of unquiet airs, furtive heralds of the unloosening thunder. It is not a sigh; for that might be the breath of branch and bough, of fern-frond and grass, obvious in the great suspense. It is an enffable communication. It comes along the ways of silence; along the ways of sound: its light feet are on sun- rays and on shadows. Like dew, one knows not whether it is mysteriously gathered from below or secretly come from on high: simply it is there, above, around, beneath.
But the hush is dispelled at last. The long lances of the rain come slanting through the branches; they break, as against invisible barriers, and fall in a myriad pattering rush. The hoarse mutterings and sudden crashing roar of the thunder possess the whole forest. There are no more privacies, the secrecies are violated. From that moment the woods are renewed, and with the renewal the secret spirit that dwells within them withdraws, is not to be surprised, is inaudible, indefinitely recedes, is become remote, obscure, ineffable, incommunicable. And so, through veils of silence, and hot noons and husht warm midnights, the long weeks of July and August go by.
In the woods of September surely the forest-soul may be surprised, will be the thought of many. In that month the sweet incessant business of bird and beast lessens or is at an end. The woodpecker may still tap at the boles of gnarled oaks and chestnuts; the squirrel is more than ever mischievously gay; on frosty mornings, when the gossamer webs are woven across every bramble, and from frond to frond of the bronze-stained bracken, the redbreast tries and retries the poignant new song he has somehow learned since first he flaunted his bright canticles of March and April from the meadow-hedge or the sunned greenness of the beech-covert. But there is a general silence, a present suspense, while the lime yellows, and the birch takes on her pale gold, and oak and sycamore and ash slowly transmute their green multitudes into a new throng clad in russet or dull red or sunset-orange.
The forest is full of loveliness: in her dusky ways faint azure mists gather. When the fawn leaps through the fern it is no longer soundlessly: there is a thin dry rustle, as of a dove brushing swiftly from its fastness in an ancient yew. One may pass from covert to covert, from glade to glade, and find the Secret just about to be revealed . . . somewhere beyond the group of birches, beside that oak it may be, just behind that isolated thorn. But it is never quite overtaken. It is as evasive as moonlight in the hollows of waves. When present, it is already gone. When approached, it has the unhasting but irretrievable withdrawal of the shadow.
In October this bewildering evasion is still more obvious, because the continual disclosure is more near and intimate. When, after autumns of rain and wind, or the sudden stealthy advent of nocturnal frosts, a multitude of leaves becomes sere and wan, and then the leaves strew every billow of wind like clots of driven foam or fall in still wavering flight like flakes of windless snow, then, it is surely then that the great surprise is imminent, that the secret and furtive whisper will become a voice. And yet there is something withheld.
In November itself there are days, weeks even, when a rich autumn survives. The oaks and ashes will often keep their red and orange till after St. Luke's Peace; in sheltered parts of the forest even the plane, the sycamore, and the chestnut will flaunt their thin leopard-spotted yellow bannerets. I remember coming upon a Spanish chestnut in the center of a group of all but leafless hornbeams. There seemed to be not a leaf missing from that splendid congregation of scarlet and amber and luminous saffron. A few yards on and even the hardy beeches and oaks were denuded of all but a scattered and defeated company of brown or withered stragglers.
Why should that single tree have kept its early October loveliness unchanged through those weeks of rain and wind and frosts of midnight and dawn? There was not one of its immediate company but was in desolate ruin, showing the bare nests high among the stark boughs.
Through the whole forest the great unloosening had gone. Even the oaks in hollow places which had kept greenness like a continual wave suspended among dull masses of seaweed, had begun to yield to the vanishing call of the last voices of summer. Day by day their scattered tribes, then whole clans, broke up the tents of home and departed on the long mysterious exile. Yet this sentinel at the Gate of the North stood undaunted, splendid in warrior array. The same instinct that impels the soul from its outward home into the incalculable void moves the leaf with the imperious desire of the gray wind. But as, in human life, there are some who retain a splendid youth far into the failing regions of gray hair and broken years, so in the forest life there are trees which seem able to defy wind and rain and the consuming feet of frost.
The most subtle charm of the woods in November is in those blue spaces which lie at so brief a distance in every avenue of meeting boughs, under every enclosing branch. This azure mist which gathers like still faint smoke has the spell of silent waters, of moonlight, of the pale rose of serene dawns. It- has a light that is its own, as unique as that unnamable flame which burns in the core of the rainbow. The earth breathes it; it is the breath of the fallen leaves, the moss, the tangled fern, the undergrowth, the trees; it is the breath also of the windless blue-blue sky that leans so low. Surely, also, it is the breath of that other- world of which our songs and legends are so full. It has that mysteriousness, that spell, with which in imagination we endow the noon silences, the eves and dawns of faery twilights.
Still, the silence and the witchery of the forest solitudes in November are of the spell of autumn. The last enchantment of mid-winter is not yet come. It is in "the dead months" that the forest permits the last disguises to fall away. The forest-soul is no longer an incommunicable mystery. It is abroad. It is a communicable dream. In that magnificent nakedness it knows its safety. For the first time it stands like a soul that has mastered all material things and is fearless in face of the immaterial things which are the only life of the spirit.
In these "dead months" of December and January the forest lives its own life. It is not asleep as the poets feign. Sleep has entered into the forest, has made the deep silence its habitation: but the forest itself is awake, mysterious, omnipresent, a creature seen at last in its naked majesty.
One says lightly, there is no green thing left. That, of course, is a mere phrase of relativity. There is always green fern somewhere, even in the garths of tangled yellow- brown bracken. There is always moss somewhere, hidden among the great serpentine roots of the beeches. The ilex will keep its dusty green through the harvest winter: the yew, the cypress, the holly, has no need of the continual invasion of the winds and rains and snows. On the ash and elm the wood-ivy will hang her spiked leaves. On many of the oaks the lovely dull green of the mistletoe will droop in graceful clusters, the cream-white berries glistening like innumerable pleiads of pearls. But these are lost in the sigh; for that might be the breath of branch and bough, of fern-frond and grass, obvious in the great suspense. It is an effable communication. It comes along the ways of silence; along the ways of sound: its light feet are on sun- rays and on shadows. Like dew, one knows not whether it is mysteriously gathered from below or secretly come from on high: simply it is there, above, around, beneath.
But the hush is dispelled at last. The long lances of the rain come slanting through the branches; they break, as against invisible barriers, and fall in a myriad pattering rush. The hoarse mutterings and sudden crashing roar of the thunder possess the whole forest. There are no, more privacies, the secrecies are violated. From that moment the woods are renewed, and with the renewal the secret spirit that dwells within them withdraws, is not to be surprised, is inaudible, indefinitely recedes, is become remote, obscure, ineffable, incommunicable. And so, through veils of silence, and hot noons and husht warm midnights, the long weeks of July and August go by.
In the woods of September surely the forest-soul may be surprised, will be the thought of many. In that month the sweet incessant business of bird and beast lessens or is at an end. The woodpecker may still tap at the boles of gnarled oaks and chestnuts; the squirrel is more than ever mischievously gay; on frosty mornings, when the gossamer webs are woven across every bramble, and from frond to frond of the bronze-stained bracken, the redbreast tries and retries the poignant new song he has somehow learned since first he flaunted his bright canticles of March and April from the meadow-hedge or the sunned greenness of the beech-covert. But there is a general silence, a present suspense, while the lime yellows, and the birch takes on her pale gold, and oak and sycamore and ash slowly transmute their green multitudes into a new throng clad in russet or dull red or sunset-orange.
The forest is full of loveliness: in her dusky ways faint azure mists gather. When the fawn leaps through the fern it is no longer soundlessly: there is a thin dry rustle, as of a dove brushing swiftly from its fastness in an ancient yew. One may pass from, covert to covert, from glade to glade, and find the Secret just about to be revealed . . . somewhere beyond the group of birches, beside that oak it may be, just behind that isolated thorn. But it is never quite overtaken. It is as evasive as moonlight in the hollows of waves. When present, it is already gone. When approached, it has the unhasting but irretrievable withdrawal of the shadow.
In October this bewildering evasion is still more obvious, because the continual disclosure is more near and intimate. When, after autumns of rain and wind, or the sudden stealthy advent of nocturnal frosts, a multitude of leaves becomes sere and wan, and then the leaves strew every billow of wind like clots of driven foam or fall in still wavering flight like flakes of windless snow, then, it is surely then that the great surprise is imminent, that the secret and furtive whisper will become a voice. And yet there is something withheld. In November itself there are days, weeks even, when a rich autumn survives. The oaks and ashes will often keep their red and orange till after St. Luke's Peace; in sheltered parts of the forest even the plane, the sycamore, and the chestnut will flaunt their thin leopard-spotted yellow bannerets. I remember coming upon a Spanish chestnut in the center of a group of all but leafless hornbeams. There seemed to be not a leaf missing from that splendid congregation of scarlet and amber and luminous saffron.
A few yards on and even the hardy beeches and oaks were denuded of all but a scattered and defeated company of brown or withered stragglers. Why should that single tree have kept its early October loveliness unchanged through those weeks of rain and wind and frosts of midnight and dawn? There was not one of its immediate company but was in desolate ruin, showing the bare nests high among the stark boughs. Through the whole forest the great unloosening had gone. Even the oaks in hollow places which had kept greenness like a continual wave suspended among dull masses of seaweed, had begun to yield to the vanishing call of the last voices of summer. Day by day their scattered tribes, then whole clans, broke up the tents of home and departed on the long mysterious exile. Yet this sentinel at the Gate of the North stood undaunted, splendid in warrior array. The same instinct that impels the soul from its outward home into the incalculable void moves the leaf with the imperious desire of the gray wind. But as, in human life, there are some who retain a splendid youth far into the failing regions of gray hair and broken years, so in the forest life there are trees which seem able to defy wind and rain and the consuming feet of frost.
The most subtle charm of the woods in November is in those blue spaces that lie at so brief a distance in every avenue of meeting boughs, under every enclosing branch. This azure mist, which gathers like still faint smoke, has the spell of silent waters, of moonlight, of the pale rose of serene dawns. It has a light that is its own, as unique as that unnamable flame which burns in the core of the rainbow. The earth breathes it; it is the breath of the fallen leaves, the moss, the tangled fern, the undergrowth, the trees; it is the breath also of the windless gray-blue sky that leans so low. Surely, also, it is the breath of that other- world of which our songs and legends are so full. It has that mysteriousness, that spell, with which in imagination we endow the noon silences, the eves and dawns of faery twilights.
Still, the silence and the witchery of the forest solitudes in November are of the spell of autumn. The last enchantment of mid-winter is not yet come. It is in "the dead months" that the forest permits the last disguises to fall away. The forest-soul is no longer an incommunicable mystery. It is abroad. It is a communicable dream. In that magnificent nakedness it knows its safety. For the first time it stands like a soul that has mastered all material things and is fearless in face of the immaterial things which are the only life of the spirit.
In these "dead months" of December and January the forest lives its own life. It is not asleep as the poets feign. Sleep has entered into the forest, has made the deep silence its habitation: but the forest itself is awake, mysterious, omnipresent, a creature seen at last in its naked majesty.
One says lightly, there is no green thing left. That, of course, is a mere phrase of relativity. There is always green fern somewhere, even in the garths of tangled yellow- brown bracken. There is always moss somewhere, hidden among the great serpentine roots of the beeches. The ilex will keep its dusty green through the harvest winter: the yews, the cypress, the holly, have no need of the continual invasion of the winds and rains and snows. On the ash and elm the wood-ivy will hang her spiked leaves. On many of the oaks the lovely dull green of the mistletoe will droop in graceful clusters, the cream-white berries glistening like innumerable pleiads of pearls. But these are lost in the immense uniformity of desolation. They are accidents, interludes. The wilderness knows them, as the gray wastes of tempestuous seas know a wave here and there that lifts a huge rampart of jade crowned with snow, or the long resiliency of gigantic billows which reveal smooth falling precipices of azure. The waste itself is one vast desolation, the more gray and terrible because in the mass invariable.
To go through those winter-aisles of the forest is to know an elation foreign to the melancholy of November or to the first fall of the leaf. It is not the elation of certain days in February, when the storm-cock tosses his song among the wild reefs of naked bough and branch. It is not the elation of March, when a blueness haunts the myriad unburst buds, and the throstle builds her nest and calls to the South. It is not the elation of April, when the virginal green is like exquisite music of life in miraculous suspense, nor the elation of May, when the wild rose moves in soft flame upon the thickets and the returned magic of the cuckoo is an intoxication, nor the elation of June, when the merle above the honeysuckle and the cushat in the greenglooms fill the hot noons with joy, and when the long fragrant twilights are thrilled with the passion of the nightjar. It has not this rapture nor that delight; but its elation is an ecstasy that is its own.
It is then that one understands as one has never understood. It is then that one loves the mystery one has but fugitively divined. Where the forest murmurs there is music: ancient, everlasting. Go to the winter woods: listen there, look, watch, and "the dead months" will give you a subtler secret than any you have yet found in the forest. Then there is always one possible superb fortune. You may see the woods in snow. There is nothing in the world more beautiful than the forest clothed to its very hollows in snow. That is a loveliness to which surely none can be insensitive. It is the still ecstasy of Nature, wherein every spray, every blade of grass, every spire of reed, every intricacy of twig, is clad with radiance, and myriad form is renewed in continual change as though in the passionate delight of the white Artificer. It is beauty so great and complex that the imagination is stilled into an aching hush. There is the same trouble in the soul as before the starry hosts of a winter night.
—from Where the Forest Murmurs (1906)
Labels: Walking Classics
