Monday, June 25, 2012
Who Wrote the Bugle Call Taps?
HISTORY
The 24 notes of the hauntingly mournful bugle call we call Taps are heard frequently across
For many years after the Civil War, legend had it
that Gen. Daniel A. Butterfield composed this call in 1862, which means its 150th
birthday is coming up next month.
Writing about bugle calls in the August 1898 issue
of The Century Magazine, Gustav Kobbé stirred up a hornet’s nest among
Civil War veterans with his article, "The Trumpet in Camp and Battle ." Kobbé was a respected music critic and opera
expert.
After tracing many of the U.S. Army’s bugle calls
to the French army of Napoleon, Kobbé admitted, "In speaking of our trumpet calls I purposely omitted one with
which it seemed most appropriate to close this article, for it is the call
which closes the soldier's day, Lights Out. I have not been able to trace this
call to any other service."
In order to profit from the battle experience
gained in the Civil War and faced with a downsized army, in 1866 the War
Department had assigned Lt. Col. Emory Upton to head a board of officers at West Point charged with creating a new tactical manual.
Upton, the Army’s most brilliant strategist, asked
Major Truman Seymour to compile a system of bugle calls to be incorporated into
the new tactical manual to be published in1867.
Referring to the “Lights Out” call, Kobbé
concluded, "If it seems probable it
was original with Major Seymour, he has given our army the most beautiful of
trumpet-calls." Taps was still called "Lights Out" in the
post-Civil War Army.
Kobbé's article prompted a letter from Oliver W.
Norton, who said he knew the origin of the bugle call and claimed he was the
first to play it.
Writing from Chicago, Norton, a successful
businessman who would later found the American Can Company, said in his letter,
"Mr. Kobbé says he has been unable
to trace the origin of the call now used for Taps, or ’Go to Sleep,’ as it is
generally called by soldiers. During the early part of the Civil War, I was
bugler at the headquarters of Butterfield’s Brigade.
“Up to July,
1862, the Infantry call for Taps was that set down in [Gen. Silas] Casey’s
Tactics, which Mr. Kobbé says was borrowed from the French. One day, soon after
the seven days battles on the Peninsular, when the Army of the Potomac was
lying in camp at Harrison's Landing, General Daniel Butterfield, then
commanding our brigade, sent for me, and showing me some notes on a staff
written in pencil on the back of an envelope, asked me to sound them on my
bugle.”
Norton's letter continued, “I did this several times, playing the music as written. He changed it
somewhat, lengthening some notes and shortening others, but retaining the
melody as he first gave it to me. After getting it to his satisfaction, he
directed me to sound that call for Taps thereafter in place of the regulation
call. The music was beautiful on that
still summer night, and was heard far beyond the limits of our brigade.”
Oliver Norton went on to describe how the next day
he was visited by buglers from neighboring brigades who wanted copies of the
music. The call was gradually taken up throughout the Army of the Potomac . Later the tune was carried by buglers to troops
fighting with Gen. Ulysses S. Grant in Tennessee .
Rapidly making its way through the entire Union Army, it eventually became
accepted as a regulation U.S. Army bugle call.
Acting on a suggestion in Norton’s letter, the
editor of The Century Magazine wrote to General Butterfield. Replying
from his home "Cragside" in Cold
Spring , N.Y.
“I recall,
in dim memory, the substantial truth of the statement made by Norton about
bugle calls. His letter gave the impression I personally wrote the notes for
the call.
“The call of
Taps did not seem to be as smooth, melodious and musical as it should be, and I
called in some one who could write music, and practiced a change in the call of
Taps until I had it suit my ear, and then, as Norton writes, got it to my taste
without being able to write music or knowing the technical name of any note,
but, simply by ear, arranged it as Norton describes. I did not recall him in
connection with it, but his story is substantially correct.”
Butterfield may not have written the bugle call we
now know as Taps, but he certainly deserves credit as the arranger of today’s version of the call.
The first time the Butterfield version of Taps was
sounded at a military funeral may have been when Union Capt. John Tidball
ordered it played at the burial ceremony for a cannoneer killed in action. Not
wanting to set off return fire from edgy Confederate troops nearby, Tidball
substituted Taps for the traditional three rifle volleys fired over the grave.
Taps was
also played at the funeral of Confederate Gen. Stonewall Jackson nearly a year
later. By 1891, Army infantry regulations required Taps to be played at
military funeral ceremonies, and the tune is still used to signal "lights
out" at the end of the day.
According to a widely circulated account, the tune was born in 1862 when Union Capt. Robert Ellicombe heard a soldier moaning on a battlefield near Harrison's Landing,
In the light of his lantern, Captain Ellicombe
discovered to his horror that the dead soldier was his son, who had been a
music student in the South and had enlisted in the Confederate Army without
telling his father.
He found in his son's jacket a scrap of paper on
which a staff and 24 music notes had been penciled. Captain Ellicombe's request
that his son be given a full military funeral was denied. Instead of a military
band, he was allowed one musician, a bugler, who played his son's song at the
funeral. Thus the bugle call Taps came into being, and the tradition of playing
it at military funerals and memorial ceremonies began.
This touching story has become an intriguing urban
legend--but it's just that, a legend. Like so many legends, it has no basis in
fact. No evidence exists that a Captain Robert Ellicombe ever served in the
Union Army of the Potomac . Ironically,
cartoonist and author Robert L. Ripley died on May 27, 1949, after filming a segment
on the 13th episode of his TV program, "Believe It or Not." The
subject was a retelling of the Ellicombe story.
Still Another Version of the Taps Story
Another account claims the song was indeed written by a Butterfield--Milton Butterfield, a Confederate soldier from
Spoilsports may point out that Vicksburg did not surrender until July of
1863, by which time General Butterfield’s
version of the call was being played regularly by buglers on both sides.
Milton Butterfield rejoined his unit, which was
sent to Chickamauga , Tennessee
During this meeting, he told General Butterfield
of his "burial music." When the general expressed interest in it, he
wrote the simple tune on the back of an envelope and gave it to him.
Milton Butterfield, who was attached to a scouting
party, was killed during the siege of Atlanta
and is buried at Stone Mountain ,
Georgia Chickamauga ,
were conveniently lost during the family’s frequent moves after the war.
Research Reveals the True Story
Musicologists familiar with military music have traced the European roots of the 24-note bugle call we know as Taps.
Taps actually existed in an earlier version of the
Tattoo call used to notify soldiers to stop the evening's drinking and return
to quarters. Tattoo was sounded about an hour before the final call of the day
to extinguish all fires and lighting devices such as candles and lanterns. The
words Tattoo and Taps are alterations of the obsolete word "taptoo,"
derived from the Dutch "taptoe." Taptoe was the command meaning to
shut the tap of a keg.
The mournful melody predates the Civil War. The
melody of Taps is close to the last five and a quarter bars of what was called
the Scott Tattoo (after Gen. Winfield Scott), a call included in many tactical
manuals published well before the Civil War.
Daniel Butterfield never claimed credit for the
bugle call that was sometimes called “Butterfield’s Lullaby.” He may not have
written the bugle call we now know as Taps, but he certainly deserves credit as
the arranger of today’s version of
the call.
Who wrote the bugle call Taps? Like so many cultural mysteries, the identity of the original
composer of Taps and the date of its creation are today lost in the mists of
history.
Monday, June 18, 2012
The Strange War of 1812
HISTORY
Today, June 18, marks the 200th
anniversary of the start of America 's
least-remembered war, the War of 1812. Its roots go back much earlier.
Castle Garden Castle Garden
now serves as the gateway to the Statue of Liberty and Ellis
Island .
Today, June 18, marks the 200th
anniversary of the start of
One evening toward the end of
April in 1806, the 60-gun British frigate HMS
Leander spotted the American schooner Richard
off Sandy Hook bound for New York .
The Leander was searching for deserters from the Royal Navy and fired a
shot across the schooner's bow as a signal for it to prepare for boarding.
Although the Richard complied promptly,
a second and third shot tore into the American schooner's stern, decapitating
the helmsman, John Pierce.
When Pierce’s headless corpse was
displayed at the Tontine Coffeehouse at the corner of the Wall and Water
streets, the mood in the city turned ugly. The British consul feared his house
would be burned by a mob and he would be taken hostage.
New York City Mayor De Witt
Clinton convinced the Common Council to have Pierce buried at public expense
and ordered all ships in the harbor to fly their flags at half-mast.
American hostility to Britain increased in June of 1807 when HMS Leopard fired on the 38-gun heavy
frigate Chesapeake
off Norfolk , Virginia
The British response to American
protests was that it intended to pursue deserters where are they were found. In
New York the
following September, an angry crowd of dockworkers and American sailors
prevented six escaping British seamen from being returned to their ship,
stiffening British resolve.
American President Thomas
Jefferson was convinced that another war with Great Britain was not only necessary
but inevitable. In December of 1807, he asked Congress for a total embargo on
vessels leaving American ports. Jefferson explained that this was not to bring economic
pressure on France and England, locked in a bitter struggle in Europe, but to
get American seamen and ships "out of harm’s way" and to give the
country time to prepare for war.
‘O Grab Me’
The Embargo Act of 1807 was a colossal disaster. It caused
no harm to Britain 's
economy, but it gave the Emperor Napoleon the chance to grab $10 million
dollars' worth of American shipping. He claimed that by their very presence in
European waters the American ships had obviously violated the Embargo Act.
John Lambert, an English traveler in New York in 1807, was
moved by its “gloomy and forlorn" appearance. By the spring of 1808, 120
firms had gone under. The sheriff held 1,200 debtors in custody, 300 of whom
owed less than $10. Unemployment
gripped the city's workers who spoke without humor about "O Grab Me,” the
word "embargo" spelled backwards.
Despite the
unpopular Embargo Act, which did not make the belligerent nations change their
ways but did cause a depression in the United States
A second war of independence
fought with the former mother country was a popular concept in many parts of
the country but not in New York ,
still damaged commercially by the embargo.
A Chain of Forts
Remembering the ease with which the British had landed
troops and captured New York
in 1776, the city constructed a group of imposing forts designed to repel any
naval attack.
Designed by the Army's chief
engineer, Col. Jonathan Williams, first superintendent of West Point, the
circular West Battery was erected on an artificial island 200 feet off the
lower tip of Manhattan
to which it was later connected. Its eight-foot-thick walls were pierced with
embrasures for 28 cannons that enabled it to sweep the mouth of the Hudson
River and the Upper
Bay West Battery was named Castle Clinton in 1815 to honor
Mayor De Witt Clinton.
At the northwest point of
Governors Island was Castle Williams, also designed by Colonel Williams. Towering
three stories high, the fort and its 100 heavy guns were part of a defensive
system for the inner harbor that included Fort Columbus (later renamed Fort Jay)
and the South Battery on Governors Island, Castle Clinton at the tip of Manhattan,
Fort Wood on Liberty Island,
and Fort Gibson on Ellis Island.
Other batteries included the North
Battery, on the Hudson
shore at the foot of Hubert Street .
Its walls of reddish brown sandstone earned it the alternate name of the Red
Fort. Fort Gansevoort ,
located farther up the Hudson
at the foot of Gansevoort Street ,
was also called the White Fort because its sandstone walls had been covered
with a coating of whitewash.
These imposing fortifications could
train some 300 guns on any enemy foolish enough to penetrate the Narrows and
enter the Upper Bay
and lower Hudson .
British naval forces massed off
Sandy Hook, and New York
braced itself for another British invasion. It became known that the British
intended to strike down from Canada
through Lake Champlain . Citizens rallied to
construct additional defensive works in upper Manhattan . The blockhouse at the northern end
of Central Park is a remnant of these landlocked
fortifications.
An aged Marinus Willett, savior of
Peekskill , gave
an impassioned speech in which he recalled popular resistance to British
tyranny 40 years earlier. A Committee of Defense was formed with
representatives from each of the City’s wards.
On
May 11, 1812, British Prime Minister Spencer Perceval was assassinated in the
lobby of the House of Commons. It took his successor, Robert Jenkinson, Second
Earl of Liverpool, until June 16 to repeal the restrictions on neutral trade
offensive to the United
States . By then, President Madison had
already asked Congress for a formal declaration of war and Congress had obliged
him. Madison
signed it on June 18, 1812. Neither side was aware of these overlapping events.
The War Begins
As part of the City’s contribution to the war effort, New York shipwrights Henry Beckford, Christian Bergh, and
Noah Brown brought gangs of experienced workers to the shores of Lakes Erie
and Ontario to build the brigs and gunboats
with which Captains Isaac Chauncey and Oliver Hazard Perry defended the Niagara frontier.
After Perry defeated a British
squadron in the Battle of Lake Erie in September of 1813, the grateful city
gave him a hero's welcome and named a street in Greenwich
Village to honor him.
In 1814 the same shipbuilders
built the world's first steam-driven warship named the Fulton
British warships blocked maritime
traffic through the Narrows , but Long Island
Sound remained open for American privateers to prey on British ships. In the
first year of the war, 125 privateers operated out of New York to harass British commerce.
Commanders of American land forces
committed many blunders. They allowed the British to capture Detroit
and to burn Buffalo .
Two American attacks on Montréal were repulsed. Napoleon’s abdication in April
of 1814 enabled the British to shift 14,000 veterans of European battles across
the Atlantic .
By-passing New
York , the British attacked the Chesapeake Bay region, capturing
and burning Washington but failing to take Baltimore .
The British eventually put out
peace feelers. Peace was achieved in time for Christmas of 1814. It was a war
of 31 months’ duration, a war nobody really wanted.
Castle Clinton
Never used in active defense of the city, some of the military’s 1812
war installations were to have more interesting civil uses.
The Army stopped using Castle Clinton in 1821 and
leased it to New York City
as a place of public entertainment. It opened as Castle Garden
It has served in turn as a promenade, beer garden/restaurant, exhibition hall, opera house, and theater. Designed as an
open-air structure it was eventually roofed over to better accommodate these
uses.
As a theater, in 1850 the castle was the
site of two extraordinarily successful concerts by the “Swedish Nightingale,” soprano Jenny Lind, under the auspices of P. T. Barnum. The following year, European dancer Lola Montez performed her
notorious "tarantula dance" there.
From 1855 to 1892, the castle served as the Emigrant Landing
Depot
and processed immigrants arriving in New York City
until the larger and more isolated Ellis Island facility was
opened for that purpose in 1892.
In 1941, Robert Moses, head of the
Triborough Bridge Authority, proposed to dismantle the castle and replace it
with another bridge to Brooklyn . The public
outcry at the destruction of a historic landmark defeated the Moses plan.
Nevertheless, the aquarium was closed and not replaced until a new facility was
opened on Coney Island in 1957.
Fruits of the War
The War of 1812 was the strangest
war in American history. It was a war within a war, the byproduct of a larger
struggle in which Napoleonic France was pitted for almost a decade against most
of Europe . President James Madison remarked
after the fact that had he known Napoleon would be defeated, this country would
have stayed out of it.
The War of 1812 was like Alice 's famous Caucus Race
in which everybody seems to have won something although there were no prizes.
The land war was fought almost
entirely in Canada ,
where the British successfully repelled American attacks.
The Americans burned the public buildings of York (Toronto ) in Canada , an act for which the British retaliated
by burning the public buildings of Washington ,
D.C.
The resistance of Fort
McHenry in Baltimore
Americans won the last battle of
the war in New Orleans
the first week of 1815--a victory diminished by the fact that peace had already
been negotiated 15 days before with the Treaty of Ghent.
The British could boast that they
had "won" the war because the treaty said nothing about the points at
issue and merely maintained the status quo. The War of 1812 was indeed the
strangest war America
has ever fought.
